SPECIALTY SUBSTRATE
Creative Process: Stage 3 Archive & Display
Weight: 25 lb.
Feel: Glossy
Color: Semi-transparent Natural White
Formats: 20 and 50 Yard Rolls
Glassine is most commonly used as a protective interleaf or overlay for drawings, prints, and photos. Resistant to air, water, and oily materials. Glassine can also be used as a release liner, and adhesive tape is usually rendered removable. When used as a protective overlay for paintings, paints must be thoroughly dried or cured paint may adhere to the glassine and damage the surface of the painting. It is not recommended as a wrap for paintings over long periods of time. Made in the USA.
PAPER TYPES
Drawing & Sketching
10
No
Penny Sketch
Creative Process Stage:
1 Concept Work
An all-purpose sketch paper that's excellent for exercising drawing techniques and subject ideas.
35
No
Sun-glo Sketch
Creative Process Stage:
1 Concept Work
Light as air, this sketch paper comes in rolls of yellow, tan, and white for quick sketches and tracing.
840
No
Kraft
Creative Process Stage:
1 Concept Work
Natural color and textured paper for rough sketch work using a range of tonal media from white to dark.
116
No
Artist Drawing
Creative Process Stage:
2 Fine Art Rendering
Final drawings look great on this bright white paper. The medium paper texture is ideal for dry media.
Pen, Ink, & Marker
37
No
Boris Marker
Creative Process Stage:
1 Concept Work
Semi-transparent for working over guides or tracing. Alcohol markers look luminescent, and colored pencil work is vibrant.
234
No
Paris Paper™
Creative Process Stage:
2 Fine Art Rendering
A thinner, bleed resistant alternative to bristol. Great for fiber tip pens, alcohol markers, and pencils.
120P
No
Bristol Plate
Creative Process Stage:
2 Fine Art Rendering
A classic, smooth bristol with a sturdy weight. Accepts markers, pen & ink, and hard pencils.
120V
No
Bristol Vellum
Creative Process Stage:
2 Fine Art Rendering
A sturdy sheet with a velvety finish. Good for heavier applications of dry media and light washes.
30
No
Sign Writer's Bond
Creative Process Stage:
1 Concept Work
A bright white sheet that comes in rolls, this is a great foundation for handmade posters and signs.
Tracing Paper
41
No
Light Tracing Paper
Creative Process Stage:
1 Concept Work
The most translucent tracing paper we have, this light, nearly clear paper is excellent for tracing fine detail.
51H
No
Heavy Tracing Paper
Creative Process Stage:
1 Concept Work
Create layouts, transfers, copies, and tracings with pencil, pen, or marker. Inkjet, copier, & laser compatible.
90
No
Vellum
Creative Process Stage:
2 Fine Art Rendering
A highly translucent, feather-resistant sheet. Graphite erases cleanly. Compatible with inkjet & laser printers.
Technical Paper
110M
No
Technical Vellum
Creative Process Stage:
2 Final Art Rendering
Excellent for archiving plans made from pen, graphite, marker, photocopiers and laser printers.
Specialty Substrates
25G
No
Glassine
Creative Process Stage:
3 Archive & Display
Semi-transparent, natural white, used as a protective interleaf between drawings, prints, and photos.
Chi
No
Chipboard
Creative Process Stage:
3 Archive & Display
A pH neutral, single-ply board used for mounting, handmade book covers, and craft project work.
757
No
Disposable Palette
Creative Process Stage:
1 Prep/Concept Work
A lightweight, bleed-proof sheet for oil, acrylic, and watercolor paint and medium mixing.